VideoNuze Posts

One of the big trends in the online video world these days is big independent video providers seeking to expand their distribution and monetization beyond YouTube while controlling more of their own destinies. The trend is gaining further momentum as the WSJ is reporting that VEVO intends to launch its music app on Apple TVs and Samsung Smart TVs, and AllThingsD is reporting that Maker Studios is acquiring Blip.

According to comScore's July online video rankings, VEVO was the top-ranked YouTube partner, with 47.6 million unique viewers and 581.9 million videos, while Maker Studios was ranked third, with 28.6 million unique viewers and 530.7 million videos.

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TiVo has introduced its new line of DVRs dubbed "Roamio," and among other new features, the highlight is out-of-home streaming (note the caveats below). Out-home-streaming means that users with a Roamio DVR will be able to access their stored content on iOS devices (and Android at some point too), effectively unlocking content from the DVR itself.

Out-of-home streaming extends in-home streaming and downloading that have been available via the TiVo Stream device. I've been using Stream since last year and is one of my favorite devices, enabling me to download content before making a trip and then watch when not connected, a great benefit. The 2 higher-end Roamios (Plus and Pro) have TiVo Stream built in, while the base model does not.

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I'm pleased to present the 192nd edition of the VideoNuze podcast with my weekly partner Colin Dixon of nScreenMedia.

In this week's discussion, we talk more about the unexpected role that Netflix and Amazon are playing in the CBS-Time Warner Cable retransmission consent dispute, which has knocked CBS off the air in major markets like NYC, LA, Dallas and elsewhere. As I wrote earlier this week, though "retrans" disputes have become commonplace, a new wrinkle in this particular one is that digital distribution rights are actually the main sticking point.

Having made lucrative digital deals with both Netflix and Amazon, CBS is justifiably reluctant to simply throw digital access to its programs into a deal with TWC, as it has in the past. The standoff highlights the uphill battle that pay-TV operators are having gaining content rights for their TV Everywhere services, which remain like Swiss cheese, with major holes in program availability. It also underscores the transformational role OTT powerhouses like Netflix and Amazon are having on the broader TV industry.

Further, Colin believes there's an opportunity for new market entrants (e.g. Intel Media, Sony, Apple, Google, etc.) to bid for both digital and linear rights, and then package access for consumers in inventive new ways. Colin sees broadband's lower cost of delivery creating a big advantage for these new players. I'm skeptical however, noting that the huge expense involved in licensing content and promoting a service from scratch would more than outweigh delivery savings. But, with so much change happening in the market these days, nothing can be counted out.

Click here to listen to the podcast (19 minutes, 25 seconds)

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Taboola and Kaltura have released the results of a poll taken during a recent webinar they conducted, in which attendees (content publishers and advertisers) were asked about their interest in using paid recommendations/native advertising to build their video viewership. The poll found that while 27% currently use paid recommendations/native advertising, 95% said they would "consider switching from  marketing their videos using traditional advertising to paid recommendations/native advertising in the next few years."

(Note a couple of caveats here: the sample size was just 34 respondents, so the results are more directional than statistically significant. Also the webinar itself was focused on content recommendations, so presumably those attending were already interested in the topic.)

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StudioNow, which produces custom video through its network of video professionals, has launched a new program dubbed "EXTRACREDIT." As Leslie Darling, StudioNow's SVP of Sales and Marketing explained to me, the program formalizes activities StudioNow has long been involved with, creating custom videos for online ad campaigns and brand marketing. StudioNow estimates it created video to support over $75 million in video campaign buys in 2012.

Now, with EXTRACREDIT, StudioNow is looking to formalize how it works with media companies, agencies and brands. Leslie sees StudioNow helping support campaign buys with its production services gaining a dedicated portion of the campaign's media spend. Leslie believes this can be a differentiator for all parties and creates unique new value in the ecosystem. In other words, to the extent that brands want to create and run different video online than their 15 and 30 second TV spots, StudioNow is there to help.

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TV advertising and online video advertising are taking a big step toward being integrated today, as a result of a deal that Extreme Reach has struck to acquire DG's TV ad business for $485 million.

The deal brings under one roof the 2 big operators of networks that deliver ads to TV stations. In its latest annual report, DG said it delivers ads to approximately 5,900 broadcast and cable TV stations from 7,400 different media agencies. Earlier this year Extreme Reach told me that it delivers ads to 7,000 TV stations on behalf of 3,000 different agencies and advertisers. With the deal, DG will re-focus its efforts exclusively on online advertising, via its MediaMind platform, which it acquired in July 2011, along with numerous other smaller online advertising assets.  

More interesting here for observers of the online video advertising space is that Extreme Reach will be in an even stronger position to pursue its strategic priority of integrating the delivery, tracking and reporting of "TV" ads and "online video" ads. I'm using quotes, because, as consumers have massively adopted connected/mobile devices and then use them to view premium video content, the distinction between the terms "TV" and "online" is becoming less meaningful. In other words, video is video, regardless of consumption device.

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Disputes between broadcasters and pay-TV operators over so-called "retransmission consent" fee payments are a dime a dozen. Broadcasters, seeking their slice of the monthly fees pay-TV operators pay cable TV networks, have bargained hard for this new revenue stream. In this sense, the current CBS-Time Warner Cable retrans standoff is business as usual. What is new, however, is that digital rights - and more specifically the huge licensing fees that OTT's richest players, Netflix and Amazon, are now paying - have taken a central role in this particular drama.

As the WSJ reported last Friday, the real obstacle between CBS and TWC isn't what TWC will pay to retransmit the CBS signal, but rather what digital rights will be included, and at what incremental cost. Five years ago, these rights were a virtual throwaway, but now it's a totally different situation. Here's what changed:

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I'm pleased to present the 191st edition of the VideoNuze podcast with my weekly partner Colin Dixon of nScreenMedia.

This was a big week for online video advertising, with 3 key milestones: AOL's acquisition of Adap.tv for $405 million (the biggest of CEO Tim Armstrong's tenure), YuMe's IPO, and Tremor Video reporting solid 2nd quarter results, in its first quarter as a public company.

As I explained earlier this week, the success of AOL-Adap.tv is riding on 3 key market trends, the shift from linear TV style viewing to anywhere/anytime/any device viewing, the democratization of video production and distribution which has led to a plethora of online originals, and the influence of technology in the ad buying/selling process. AOL is seeking to capitalize on all this through Adap.tv's programmatic platform.

Meanwhile Tremor Video, whose stock has had a bumpy start since the company went public in early July, posted a strong 2nd quarter, with revenue growing by 41% year-over-year. As CEO Bill Day explained on the earnings call, key to this was a focus on premium performance-based in-stream video advertising, which grew from 20% of revenue in Q2 '12 to 34% in Q2 '13. Mobile was also a big contributor to the quarter, rising from 4% of revenue to 13% of revenue. Bill noted the company is highly focused on providing transparency and analytics around traditional brand metrics such as brand lift, engagement, completion rates, etc. to engage buyers.

More broadly, as Colin observes, online video is giving brands and content providers more flexibility to insert product placements and other deep product integration. I agree, though for the foreseeable future, I see the vast majority of online video ad revenue coming from more traditional pre-, mid- and post-roll advertising.

Click here to listen to the podcast (18 minutes, 57 seconds)

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The VideoNuze podcast is also available in iTunes...subscribe today!

(Note: YuMe and Tremor Video's VideoHub are VideoNuze sponsors)